Lost, Found, London

 

 

I recently opened a box mailed to me from my mother back home in Hawaii that was sitting in her garage since the late 80’s. I was more than a little nervous thinking about what was inside but I had an idea; memories I wanted gone but wasn’t ready to abandon completely.

Once I finally made the decision to leave the Waikiki stripping life after nine years, moving off the island wasn’t just part of my plan – it was my only plan. I was an exhausted shell of a woman with dark circles under her eyes, over-processed burgundy hair and serious baggage – stuff that no twenty-something ever thinks of as real problems at the time.

My predicaments included snorting excessive amounts cocaine, washing down handfuls of Molly (ecstasy) with vodka and a 300 calorie-a-day meal plan (on purpose). I was oblivious to the cloud of despair circling me like Pig-Pen’s shadow in Charlie Brown.

And those were the good days.

I hadn’t given this cardboard crate of history much thought as the years passed. Then Mom called. She was planning a garage sale and my stomach turned a bit, remembering what was stashed behind the lawnmower and potting soil. Upon her discovering my stash, she gave me two choices: toss the box or have it mailed to California, where I was trying to build some sort of a normal life.

“Just promise me you won’t open it.” I asked as she confirmed my zip code over the phone. Mom is aware of my past, but her reading my old journals was nothing she ever needed to do (journals are hand-written notes before blogs were blogs, and the internet was just the inside of a basketball hoop).

After a few days, the box arrived. I ignored its existence for a week until curiosity unraveled my fear.

Upon each new discovery, I vacillated between shock and amazement that I dared to live such a life, and gratitude wrapped with joy in that I survived.

A little advice: If you have personal items from years ago tucked away somewhere, dust them off and buckle up. The memories are incendiary – in the best of every way.

One of my favorite artifacts was a poem I wrote while traveling through Europe. Nineteen and elated to be so far from home, I marinated in the moment while scribbling on a piece of notepaper from Horniman At Hays.

How amazing, to unfold corners of my mind after all these years:

Never think
Before paper meets ink
Just let it go
Don’t have to know
Begin
at the beginning
and all will come out beautifully

Christine Macdonald – 1987

~ ~ ~

Sometimes the answers live inside the person we were long ago – we just need to accept who we are now to fully appreciate who we were then.

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“If you don’t get lost, there’s a chance you may never be found.” ~Author Unknown
 

 *Originally posted March 2008; edited 4/4/18.

Christine Macdonald

Review: ‘Bare’ Took Me There

netflix-coverNetflix and me, we have an understanding. I’m never judged when I need my Jake Ryan fix and end up binge-watching 80’s classics all weekend instead of running errands. And I don’t think twice when indie film suggestions pop up on my video stream feed, based on my viewing history.

Indie and me go way back. Call it underdog kismet, or simply shared affinity for raw truth. I’m attracted to the underbelly of a story. Those dusty secrets that seem to only reveal themselves outside shadows of blockbuster hyperbole. Any “Feel Good Movie of the Summer”, “Gripping” or “Mind Blowing” promises served up on a marquee of bells and whistles, and my interest is a watered down cocktail during happy hour. I’ll enjoy the flavor, but the buzz just aint the same.

It’s been a while since I felt the warm embrace of indie. And like anything good that you haven’t had in a while, we forget just how much we enjoyed whatever it was that’s been missing – like with great sex or home-made lasagna.

After seeing writer/director Latalia Leite’s movie BARE, I realized just how hungry I’ve been.

It’s been twenty years since walking away from the stripper world, but I never tire of the stories. After reading the synopsis of BARE, I was intrigued:

“A young girl [Sara Barton] in Nevada becomes romantically involved with a female drifter who introduces her to a life of stripping, drugs, and metaphysical experiences that teach her what happens when real life catches up with dark fantasy.” – IMDB

Immediately, I wanted more. How young was she? Was she gay before she was a stripper? What kind of drugs did she take? Of course, I personalized the parallels. I was 19 when I stepped on stage for the first time. I slept with women after becoming a stripper. Cocaine and ecstasy were my drugs of choice.

Not only did BARE answer my questions about young Sara’s journey through the stripping world, it did something I wasn’t expecting. It drew me back into mine.

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There I was, tucked safely in bed – my laptop streaming – and bam! – it was 1987. As Sara (played by Glee’s Diana Agron) explored her new world, I was transported back to my old one.

So vividly, was my recollection. I remembered my hesitant but determined first steps on the flashing Plexiglas stage, the vibrating bass crackling through the speakers, my stage name being called as the DJ stretched out the vowels for emphasis: “Ladies and gentlemen, let’s give her a warm welcome! Give it up for the sensational, Stephaaaaaaaanieeeeee”. I could almost smell the cigarette smoke that needed multiple shampoos to get out of my Aqua Net sprayed, Bon Jovi look-alike hair.

I expected to feel a connection after watching BARE, but the intense emotions that flooded through me were a welcomed surprise.

Anyone can tell a story, great writers can make you feel it.

“One thing that I’ve learned, that’s true, is that if you don’t make your own choices in life, the world will make them for you.” – Pepper  (played by Paz de la Huerta)

Natalia’s script is beautifully written and her direction is spot on, bringing out amazing performances (most notably  Dianna Agron (Glee, FoxPaz de la Huerta (Boardwalk Empire, HBO) and Chris Zylka (The Leftovers, HBO). With a subject matter that can easily teeter on campy or trite, BARE’s language is refreshingly honest – never over the top.

In a world where most people throw opinions about sex workers into a pile labeled damaged goods, BARE helps us see things through a different lens. We know Sara. Some of us are her.

Whether you chose a life of g-strings and dollar bills or have been on the fast track in the corporate world since college – BARE’s story of introspection, personal choices and consequence is universal.

As the credits rolled, I took a moment to marinate in the story. My lips curved into a smile. Because of this random indie film choice on Netflix one night – I had come full circle in my journey to the past.

There’s nothing like a great movie to remind you how far you’ve come, help you decide where you want to go, and causes you to simply – think.

Everybody has a story. We are all capable of creating our own reality and looking beyond the horizon. Thanks to Natalia Leite, we know that we are not alone.

To watch the trailer click here:

 

 

BAREPurple Milk Productions – Alexandra Roxo and Natalia Leite

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Christine Macdonald